Seracini wanted to implement a series of high-tech tests to figure out, once and for all, if the da Vinci lay beneath the Vasari. The main issue, though, is that the possible false wall is the home to Giorgio Vasari’s 1563 painting The Battle of Marciano. Having studied the painting since the mid-1970s, Seracini found a place in the Palazzo Vecchio where the da Vinci might be hidden behind a false wall. Their technical analyses support claims by art historian Francesca Fiorani that the painting isn’t behind the wall because it doesn’t exist. However, research undertaken by art historians Roberta Barsanti, Gianluca Belli, Emanuela Ferretti, and Cecilia Frosinini and presented at meetings held by Florence’s Uffizi Galleries further suggests otherwise. Thanks to him, it has been thought that the partially-completed da Vinci fresco, which is only known now by preparatory drawings and a 17 th-century copy by Peter Paul Rubens, lay beneath the surface of one of the Palazzo Vecchio’s walls. Maurizio Seracini’s research has been leading the pack for many years. The latest theory on the topic, though, poses that da Vinci never actually painted the fresco. That’s what some researchers have to say about a work by Leonardo da Vinci known as the “lost masterpiece.” While a full-scale cartoon for the work still exists of the artist’s 1504 The Battle of Anghiari, the actual painting and its location have been the subject of theories for decades. You can’t lose something that never existed.
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